By A. Norman Jeffares (auth.)
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Additional info for Anglo-Irish Literature
And d 'ye hear, I won't be call'd Names after I 'm Marry'd; positively I won't be call'd Names. MIRABEL: Names! MILLAMENT: Ay as Wife, Spouse, my Dear, Joy, Jewel, Love, Sweetheart, and the rest of that Nauseous Cant, in which Men and their Wives are so fulsomely familiar - I shall never bear that, - Good Mirabel don't let us be familiar or fond, nor kiss before Folks, like my Lady Fadler and Sir Francis: Nor go to Hyde-Park together the first Sunday in a new Chariot, to provoke Eyes and Whispers: And then never to be seen there together again: as if we 48 ANGLO·IRISH LITERATURE were proud of one another the first Week, and asham'd of one another ever after.
It isn't certain when he first called her Stella, but he used the name in a birthday poem to her in 1719. He directed her reading, and she became his closest friend. When Sir William Temple died he left her some land in Ireland, and she and her friend Rebecca Dingley moved there in 1701. Swift wrote frequently to the ladies from London between 1710 and 1717. These playful, forthright, indeed happy letters, collected as the Journal to Stella, not only give a fascinating picture of his personal life in London but also convey, like the poems he COLONIAL AND ASCENDANCY 33 wrote to her, something of his deep affection for her .
Have they not the same God for their Protector? Am I a Free-Man in England, and do I become a Slave in six Hours by crossing the Channel? Swift regarded himself as belonging to the true English people of Ireland. He did not regard Ireland as a depending kingdom. He deeply disliked being a colonial, the more so for having had his heady experience of political power in England. But the original crossing the Channel from Ireland to England must have been an eye-opening experience for many Irish writers.
Anglo-Irish Literature by A. Norman Jeffares (auth.)